The buzz surrounding actress Lee Sung Kyung's highly anticipated musical debut as Jasmine in Aladdin has left many audiences questioning whether the $137 (KRW 190,000) ticket price was justified. While her performance showcased her acting experience, her vocal struggles and an overall lack of polish as a musical theater performer drew sharp criticism.

Based on Disney’s animated classic, Aladdin tells the story of adventure, love, and friendship in the mystical kingdom of Agrabah. The production, which opened on November 22, features Lee Sung Kyung in the iconic role of Princess Jasmine. However, her performance has been marred by unsteady pitch, labored breathing, and a lack of vocal power—elements that are critical for a role laden with challenging musical numbers.

The debut stage is a pressure cooker for any performer, and for Lee, a first-timer in musicals, the stakes were exceptionally high. Critics, however, argue that her vocal preparation fell far short of the mark, with some questioning whether her casting prioritized star power over skill.

While Lee’s acting talents are well-established through her TV and film work, the demands of musical theater proved a steep challenge. Her portrayal of Jasmine often felt disconnected from the production, as if she were "acting as a musical actor" rather than fully immersing herself in the character. This, coupled with her strained vocals, made it difficult for the audience to be drawn into the world of Aladdin.

The issue became even more pronounced in duets with her co-star Kim Jun Su (Aladdin), whose strong performance highlighted Lee’s shortcomings. Kim’s attempts to adjust his tone to accommodate Lee’s weaker voice resulted in mismatched harmonies, further diminishing the musical experience.

With tickets priced at $137 (KRW 190,000), expectations for a polished and professional performance are naturally high. Audience members have expressed frustration, fueling ongoing debates about casting celebrities with little stage experience in leading musical roles. While big names undoubtedly boost ticket sales and publicity, many believe this trend undermines the integrity of the production and the efforts of seasoned musical theater professionals.

Lee Sung Kyung’s ambition to tackle musicals is commendable, but her debut underscores the importance of rigorous preparation to meet the demands of this challenging art form—especially when audiences are paying premium prices for the experience.