The Korea Music Content Association (KMCA) has raised concerns about tampering allegations within the K-pop industry, calling for transparency and stronger measures to prevent such unethical practices. Tampering refers to the preemptive engagement with artists or their representatives before the conclusion of their contractual agreements with their current agencies, an act that threatens the industry's foundational ethics.

On December 13, the KMCA released an official statement, expressing, “We are gravely concerned about recent tampering attempts that have disrupted the industry. These actions undermine the integrity of Korea’s music industry, and we commit to taking all necessary measures to eradicate them.”

Tampering Allegations Widespread in K-pop

The issue of tampering came to the forefront during the FIFTY FIFTY controversy, which involved accusations of poaching artists from their existing agencies. Recently, allegations involving Min Hee Jin, former CEO of ADOR, reignited concerns about the pervasiveness of such practices.

The KMCA stated, “Producers employed by entertainment agencies have been observed using their influence to persuade young, promising artists and their families to break their exclusive contracts. The recent tampering allegations against Min Hee Jin highlight how deeply entrenched this issue is, regardless of the allegations’ validity. This underscores the urgent need for action.”

A Call for Transparency from Min Hee Jin

The KMCA called on Min Hee Jin to address the allegations with clarity, stating, “We urge Min Hee Jin to provide a clear and factual account regarding the recent tampering accusations reported in the media. The industry requires her to clarify the situation to prevent further speculation and damage.”

The association criticized the ambiguity of Min’s prior statements, asserting that they have fueled public and industry frustration: “The prolonged controversy has led to unnecessary fatigue within the industry. It is imperative for Min Hee Jin to resolve the matter through a direct and unambiguous explanation.”

Message to NewJeans and Artists

Addressing NewJeans, a group closely linked to the controversy, theKMCA urged prudence: “NewJeans should ensure the faithful execution of their contracts and engage in genuine dialogue with their agency. If no resolution can be reached, they should await judicial decisions respectfully. It is vital for NewJeans to remember their responsibility as K-pop representatives and to act with caution in the public eye.”

The KMCA highlighted the broader implications for the industry: “NewJeans must consider the impact their actions have on fellow artists, aspiring musicians, and the integrity of the K-pop ecosystem.”

Legislative and Industry Action

The Korea Music Content Association called on the government and lawmakers to strengthen legal frameworks to combat tampering. “The current legal system does not adequately address the complexities of the music industry. New legislation tailored to the specific needs of the K-pop sector is necessary to ensure fairness and stability,” the KMCA emphasized.

Furthermore, the association announced plans to impose penalties on entities involved in tampering. “We are reviewing the possibility of excluding data related to artists and agencies implicated in tampering allegations from the Circle Chart. This includes removing their album and digital sales figures from our rankings. Additionally, we may discontinue providing data to major music programs and award shows,” the KMCA said.

Preserving Industry Integrity

The KMCA warned against the dangers of self-serving behavior, stating, “Tampering undermines the collective efforts of the industry and risks dividing it. The individuals and organizations involved must take responsibility for the damage caused and cooperate fully with investigations.”

Concluding its statement, the KMCA reaffirmed its commitment to the music industry’s sustainability: “We will continue to work closely with stakeholders to establish ethical standards and foster a healthy and thriving K-pop industry.”

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