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Original Content

Do they need a break? The Non-stop Promos for ITZY

AKP STAFF
Posted by ean1994 Thursday, January 18, 2024

Since their electrifying debut, ITZY has been on a meteoric rise to stardom. Captivating audiences with their debut hit "Dalla Dalla," they garnered attention not only for their music but also for their appearances in BTS' "Love Yourself" highlight reels. Yet, amidst their skyrocketing fame, one can't help but wonder: Have ITZY had a moment to breathe?

Let's take a quick look back: "IT'z Different" hit the airwaves in 2019, closely followed by "IT'z ICY." The same year saw the group's relentless momentum continue.

In 2020, ITZY didn't slow down, gifting fans with "IT'z ME" and "Not Shy."

2021 was a whirlwind, with five releases, including English versions of "Not Shy" and "Mafia In the Morning."

2022 saw "Sneakers," "Boys Like You," and "Cheshire" hit the scene, and 2023 capped off with "Kill My Doubt."

As 2023 wrapped up, ITZY announced yet another comeback with "Born to Be." Amidst these successive releases, they've also navigated a packed schedule of tours and award ceremonies.

The K-Pop industry is known for its rigor, and ITZY is a prime example of a group in constant motion. But at what point does the non-stop cycle become too much?

With ITZY's non-stop schedule and the constant demand to release new music, it's crucial to ponder: When was the last time these talented artists truly had an opportunity to step back and relax? The entertainment industry, especially K-pop, is notoriously fast-paced and demanding, requiring artists to continually remain in the limelight to maintain relevance. This relentless pursuit of staying atop trends and in the public's consciousness, while pivotal for career growth, does come with its own set of challenges.

The continuous cycle of promotions, performances, and public appearances can be a double-edged sword. On one hand, it cements ITZY's position as a leading K-pop group, garnering them a global fan base and significant acclaim. On the other hand, it begs the question of the toll this intensity takes on their personal well-being and mental health.

Sustainability in such a high-pressure environment is a growing concern. The balance between career progression and personal health is delicate, and the potential for burnout is a real threat. For ITZY, as with many K-pop groups, the idea of taking a break might seem counterintuitive to their goals. However, the importance of rest and recuperation cannot be overstated. It's not just about physical rest, but mental and emotional recovery as well, allowing the members to nurture their creativity and return with even more to offer their fans.

As the conversation around mental health and well-being in the entertainment industry gains traction, it's vital to consider how groups like ITZY can navigate their careers sustainably. Ensuring they have the space and time to recharge is essential not just for their personal health but also for their longevity and continued success in the industry.

What's your perspective on ITZY's promotional strategy? Should they take a well-deserved break, or continue at their current pace? Share your thoughts on how ITZY should navigate their bustling career.

  1. ITZY
  2. Chaeryeong
  3. Yeji
  4. Lia
  5. Ryujin
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JohnF
JohnF4,836 pts Thursday, January 18, 2024 5
Thursday, January 18, 2024

It's weird that this article doesn't even mention Lia having to take a break for the extreme anxiety she felt from her schedule. You'd think that would be Exhibit A in this discussion.

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MAPLEMIDZY
MAPLEMIDZY987 pts Thursday, January 18, 2024 4
Thursday, January 18, 2024

I'm Nonplussed about an article on idols' wellbeing and mental health that targets ITZY but avoids mention of Lia. I also don't want to say that the article presents its information in bad faith but the way it frames ITZY's activities from 2023 seems deliberately misleading IMO. If people around the industry were generally more compassionate and caring these sorts of conversations could be very productive, but it's by design that idols are made to perform according to the strict terms/demands of their contracts etc.

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